The Strange Fox

As the Fuka project continued to grow, I slowly began to realize that certain themes kept returning to my mind. One of them was the fox.

In Japanese folklore, foxes have a special place. They can be mysterious, playful, wise, or even supernatural. During the earliest stages of the project, small references to foxes occasionally appeared in images and ideas, but they were little more than hints. At the time, I had not yet decided what role they would play in the story.

Eventually, however, I understood that the theme of the kitsune was something I wanted to explore.

Originally posted on Instagram → [view post]

The first significant encounter between Fuka and a fox became an important moment, not only within the narrative but also in my understanding of the project itself. Looking back, it feels like one of the first signs that the story wanted to move beyond simple everyday scenes and toward something deeper and more mysterious. At the time, neither the plot nor the mythology behind the project had been fully developed. Yet that encounter created questions, emotions, and possibilities that would influence future stories.

Originally posted on Instagram → [view post]

It also led to something else.

Fuka’s concern following the encounter gave me an opportunity to create one of the first genuinely warm moments between her and Tetsuya. Until then, his presence in the project was still relatively new, but this small interaction helped establish a connection between the two characters.

ちょっと考えすぎていたみたい。
新しい同僚が、少し笑わせてくれた。
こういう時間も、悪くない。

Fuka 🌸

Originally posted on Instagram → [view post]

The scene itself was simple, but it showed how even a small narrative event could serve multiple purposes: introducing a new theme, developing a character, and strengthening a relationship.

Sometimes an important creative realization does not arrive as a grand revelation.

Sometimes it arrives quietly, in the shape of a fox crossing the path of a young photographer.

Giving Fuka a Place to Belong

Despite that first small travel sequence, I still had not completely decided what direction Fuka should take.

At the beginning, I experimented with ideas connected to contemporary Japan — moments, events, and atmospheres that could immediately feel linked to the present day.

One of the first inspirations came from topics such as the 2026 Winter Olympics (Here is an example → [view post]). I liked the idea of placing Fuka inside a recognizable modern context, almost as if she were quietly observing the changing mood of Japan through her camera and daily life.

Originally posted on Instagram → [view post]

For a while, I imagined the project moving in that direction:
a blend of urban exploration, current events, and fragments of contemporary Japanese culture.

Here is an example → [view post] and another one → [view post]

But something still felt incomplete.

The images were visually interesting, yet Fuka herself had not fully emerged as a person.

For that reason, I started thinking more carefully about who Fuka actually was.

I wanted her to carry something personal and emotionally real from the very beginning. That is why I decided she would come from Osaka. It felt natural in a way I cannot completely explain. (Here is an example → [view post]). Little by little, Fuka stopped feeling like a simple fictional character and started becoming connected to memories, emotions, and fragments of real life.

Originally posted on Instagram → [view post]

At the same time, I wanted her to have a profession capable of bringing her close to mystery and forgotten stories. That was how the idea of Fuka working with ancient archives and historical documents was born. An archivist moving through old papers, hidden records, abandoned photographs, and incomplete stories felt perfect for her atmosphere. Not a detective in the traditional sense, but someone quietly standing near mysteries without fully realizing it yet. (Here is an example → [view post])

In this way I was able to set up a sort of daily life for Fuka. (Here is an example → [view post])

In the end, however, I did not want Fuka to be alone. So I introduced the first supporting character: Kyoka, her longtime friend, also originally from Osaka.

Originally posted on Instagram → [view post]

From the beginning, I imagined Kyoka as a recurring presence during Fuka’s quieter moments — the person accompanying her during walks through the city, small trips, cafés, and ordinary afternoons. While Fuka often observes the world with curiosity and silence, Kyoka was created to bring balance: more instinctive, more intuitive, and naturally drawn toward the hidden side of things.

Their relationship was never meant to feel dramatic. What I wanted instead was the feeling of two people who have known each other for years, capable of understanding each other even during moments of silence. And slowly, through these small interactions, the world around Fuka started feeling alive. (Here is an example → [view post]).